Research

My work bridges network pessimism, radical theory, and political thought. I theorize the ambivalent effects of network culture from the anti-globalization movement of movements to the monetization of social relations of the Web 2.0 sharing economy – which I take as an intensification of the power of control crystallized in post-war cybernetics.

Teaching

I work with programmers, theorists, and practitioners to deploy media tactically rather than using the classroom to hold a referendum on technology writ large. We critically combine the 1990's movements of net.art, hacktivism, open source, culture jamming, and indymedia with contemporary abolitionist critiques of corporate platforms, challenges to anti-black media, and attacks on normative design.

Anti-Politics

Having come of age during the anti-globalization movement, I have been involved in numerous collectives committed to abolishing the state, capital, and all other forms of oppression. Together, we refer to this approach as "anti-politics." We find a common cause within contemporary queer, abolitionist, and communization currents.

I approach media through radical transformation, namely: how emerging technologies constitute new forms of domination. 

Books

Dark Deleuze (University of Minnesota Press, 2016). Also available in Spanish, Japanese, German, Greek, French, Portuguese, and Italian.

French philosopher Gilles Deleuze is known as a thinker of creation, joyous affirmation, and rhizomatic assemblages. In this short book, Andrew Culp polemically argues that this once-radical canon of joy has lost its resistance to the present. Concepts created to defeat capitalism have been recycled into business mantras that joyously affirm “Power is vertical; potential is horizontal!”

Culp recovers the Deleuze’s forgotten negativity. He unsettles the prevailing interpretation through an underground network of references to conspiracy, cruelty, the terror of the outside, and the shame of being human. Ultimately, he rekindles opposition to what is intolerable about this world.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

 

A Guerrilla Guide to Refusal (University of Minnesota Press, March 2022).

A field guide to a nonfascist life at the end of the world as we know it.

A Guerrilla Guide to Refusal is an unexpected approach to philosophy from a guerrilla-logic point of view. Harnessing critical theory to creatively reimagine counterinsurgency, guerrilla warfare, and interventions beyond the political mainstream, it takes us on a journey through anarchist infowar, queer outlaws, and black insurgency—through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. In doing so, it provides powerful new insight into contemporary political movements that pose no demands, refuse labels, and offer no solutions.

Written to both inspire and provoke, A Guerrilla Guide to Refusal urges us to think through the refusal to participate in politics as usual. Author Andrew Culp demonstrates how evasion can combatively deny the existing order its power. Focusing on punk cinema, anarchist pamphlets, feminist art projects, hacker manifestos, and guerrilla manuals, he foregrounds invisibility as a novel force of disruption. He draws on concepts of criminality, fugitivity, and anonymity to bring a more nuanced understanding of how power makes things—and people—visible.

The book’s unique format is that of a theoretical manual, comprising freestanding segments instead of blueprints. Poised to reach beyond the academy into activist circles, this potent theory-in-action intervention forces us to reconsider the terrain upon which our struggles against patriarchy, anti-Blackness, capitalism, and the state operate.

Examining the politics of refusal that has come to define our age. I focus on figures of fugitivity, opacity, and anonymity to demonstrate the power of non-visibility.


Antinomia (Completed Manuscript).

A withering critique of power from a leading scholar of Gilles Deleuze. In Antinomia, Culp proposes an anti-political challenge to our stifling perpetual present. Through the philosophical method of anarcheology, he dissects more than established laws but the entire foundation of politics.

Drawing on a vast interdisciplinary archive, Culp invites readers into an urban fabric that blankets the globe, aided by a new cybernetic science of capitalism. As the narrative unfolds, a biopolitical membrane emerges, ingesting social subjects through a phantasmagoria of amusements. The journey takes more turns: kings obsessed with clockwork order issue royal edicts on sewage and the police, Columbus pornographically lusts over a new world, Greek hunters reimagine politics as fishing with a net, and Indo-European gods mythically appear in a flash of lightning to turn the tide of war—all deformations of the early Sumerian state of Ur.

Antinomia is not guided by history, but a series of incisive theses. The theory, technologies, and texts that express cybernetic, organic, despotic, and cynegetic modes of power are laid out in an anti-history that bridges past and present. In this, he equips readers with philosophical arms to break with everything intolerable about this world.

Underground Philosophy (2021) & Zine Pack

A collection of three essays previously published in other venues: Accelerationism and the Need for Speed, The Revolutionary Disaster and the Disaster of Revolution, and A Short Introduction to the Politics of Cruelty. The zines were thoughtfully designed by Shane Farrell for an art festival in 2019. They are now available in a short anthology, as well as individual zines (in both reading / printing formats). Also included in the zine-pack is my essay The Black Arrow, previously released but Flugschriften.


MS In Preparation, Control Phreaks
A critical reevaluation of cybernetics from those working inside to subvert it.

2023, “A Manifesto for Destructionist Film” and CLODO Dossier, with Thomas Dekeyser, Counter-Signals, 5.

2022, “An An-arkhḗ-ology, or: Preliminary Materials for Any Future Account of the State,” Selva: A Journal of the History of Art, 4.

2022, “Chaos, Creativity, Change: The Cybernetic Logic of Late Capitalism,” Architectural Design.

2021, “Afro-Pessimism and Non-Philosophy at the Zero Point of Subjectivity, History, and Aesthetics,” The Big No, ed. Ferguson (University of Minnesota Press).

2021, “Worlding Cybernetics,” The Bloomsbury Handbook of World Theory, ed. Di Leo and Moraru (Bloomsbury).

2020, “Control after Cybernetics: Governmentality as Navigation by Homeostasis and Chaos,” Symplokē (Special issue on “Control”).

2021, Catalogue Essay, Tech/Know/Future: From Slang to Structure, Montclair State University.

2020, “Deleuze Beyond Deleuze: Thought Outside Cybernetics,” Coils of the Serpent, 5 (Special Issue: “Control Societies I: Media, Culture, Technology”).

2020, “«Мы можем ненавидеть этот мир с любовью» Интервью с Эндрю Кальпом,Logos (English and Russian).

2019, “Антропоцен исчерпан: три возможные концовки,” Новое литературное обозрение (New Literary Review) 158, April.

2019, “A Method to the Madness: The Revolutionary Marxist Method of Deleuze and Guattari,” Stasis 7(1), 2019.

2019, “Data, Media, Ethics: A Conversation with Andrew Culp,” with Anirban Baishya, Spectator, Fall 2019, 31-38.

2019, “All Monuments Must Fall!” with Matthew Applegate, Artleaks.

2019, “The Revolutionary Disaster / The Disaster of Revolution,” Alienocene: Journal of the First Outernational, March.

2019, “«Темный Делёз», конспиративный коммунизм и параакадемическая вселенная. Интервью с философом Эндрю Кальпом” (Interview by Arnold Khachaturov), Нож, Feb 23.

2019, The Black Arrow, Flügschriften (Pamphlet).

2019, “Accelerationism and the Need for Speed: Partisan Notes on Civil War,” La Deleuziana, 8, 161-171

2018, “From the Line of Reason to the Black Arrow,” Contrarpuntal Media 1, Summer 2018.

2018, “Theory Talk: Andrew Culp” (interview by Joseph Weissman), Fractal Ontology, May 2018

2018, “Best of All Possible Ends of the World: An Interview with Andrew Culp,” Lateral: Journal of the Cultural Studies Association 7.1, Spring 2018.

2018, “Dark Deleuze,” Alienocene: Journal of the First Outernational, March 2018 (reprinted in translation in French in Dictionnaire Deleuze, Bouquins 2019, trans. Frédéric Neyrat)

2018, “On Giving Up On This World,” (interview by Thomas Dekesyer), Society and Space, February 2018.

2018, “Love, Sex, and Communism,” with Jules Joanne Gleeson and Jose Rosales, Identities: Journal of Politics Gender and Culture 14(2), Jan 2018.

2017, "HKRB Interviews: Andrew Culp" (Interview by Alfie Bown), Hong Kong Review of Books, February 6, 2017.

2016, "Ending the World as We Know It: An Interview with Andrew Culp" (Interview by Alexander R. Galloway), boundary 2, June 2016.

2016, "Aliens, Monsters, and Revolution in the Dark Deleuze," Essay about Dark Deleuze for University of Minnesota Press Blog.

2016, "Signs of Protest Rhetoric: From Logos to Logistics in Luther's Ninety-Five Theses," with Kevin Kuswa. Quarterly Journal of Speech, 102(2), 2016.

2015, "Confronting Connectivity: Feminist Challenges to the Metropolis." Communication and Critical/Cultural Studies, November 2015, 1-18.

2015, "The State, Concept not Object: Abstraction, Cinema, Empire." parallax, 21(4), 2015, 429-447.

2015, "Philosophy, Science, and Virtual Communism." Angelaki: Journal of the Theoretical Humanities, 20(1), 2015, 91-106.

2013, "Dispute or Disrupt? Desire and Violence in Protests Against the Iraq War." Affinities: A Journal of Radical Theory, Culture, and Action, 6(1), Winter 2013, 16-47.

2012, "Giving Shape to Painful Things: An Interview with Claire Fontaine," with Ricky Crano. Radical Philosophy, 175, September/October 2012, 43-52.

2012, "Ghost Stories and Nightmares." Three Word Chant, 1, Summer 2012, 8-15.

2010, "Insurrectionary Foucault: Tiqqun, The Coming Insurrection, and Beyond." 'zine, extensively circulated/republished.

I teach theories of subverting power and the practices of tactical media. Below are some representative courses from CalArts.

"Evil Media"

Media is not neutral. Behind the technical development of media lies the desire to influence and control, and more often then not, hidden practices of trickery, deception, and manipulation. These techniques have grown ubiquitous in less-obvious places, such as corporate and administrative gray media, online spam, productivity apps, guides and manuals, hostile architecture, deceptive design, biomedical standards, and infrastructure.

This class asks students to reconsider Google's motto "Don't Be Evil" in an age of ubiquitous computing and digital design. We look past widely discredited cases (propaganda, brainwashing, mind control) to consider more timely examples of evil media. As the class considers media at the union of technical systems and social forces, we will simultaneously explore the concept of evil in the extramoral sense. Students will curate and write their own catalogue for a speculative show on "evil media."


"No Future: Optimism and Pessimism in Theory"

"The revolution was molecular," says Tiqqun, "but so was the counter-revolution." For some, like Foucault, this is a cause for celebration as resistance is meant to be productive. While for others, it only spells complicity, cooptation, assimilation, or death. This course stages the recent optimism-pessimism debate across a variety of fields, such as media studies, science and technology studies, queer studies, black studies, disability studies, and Marxism. Examples include network pessimism against accelerationism, the queer anti-social thesis against queer utopian worldbuilding, and afro-pessimism against black fugitivity.

Students will chart the optimist's concepts of utopia, futurity, life, capacity, and humanity across the course readings as well as their pessimistic rejoinders. The activity is part of our ongoing inquiry into the rapport between the two terms. What are the conceptual limitations and the political dangers of each? Why are they not compatible? How should the conflict between optimism and pessimism be resolved?


“Feminist Surveillance Studies”

"How is information used as a tool of oppression?" is this course's motivating question.

This class uses an intersectional feminist perspective to question the values of transparency, access, and spectatorship embedded in surveillance aesthetics. It will highlight the gaze, the body, mapping, games, and others as sites of contestation and intervention.

This questioning will include readings on historical examples of surveillance technologies, such as Brian Jordan Jefferson on the carceral landscape of smart cities, Tina Campt's writing on the mugshots of the Freedom Riders, and others. We will read pieces by contemporary theorists such as Simone Browne, Ruha Benjamin, and the Feminist Surveillance Studies collection. It will also include film screenings, such as Coco Fusco’s a/k/a Mrs. George Gilbert, Chloé Galibert-Laîné’s Forensickness, Harun Farocki's Prison Images and Michael Kiler's The Giant. Moreover, it will consider artists whose creative practice includes surveillance, such as Julia Scher, Hasan Elahi, Margia Kramer, Zach Blas, Sondra Perry, Zhang Peili, Natalie Bookchin, and Juniper Fleming.


“Another End of the World is Possible”

"Another world is possible!" was the rallying cry of the anti-globalization era. The slogan served as an answer to the deafening silence following the fall of the Berlin Wall, the liberal post-politics of the Washington Consensus, and biopolitical wars for peace. Efforts to realize the phrase included attempts to establish deep democratic procedures from the local to the global level. Yet in the time since, we have gone through multiple cycles of struggle, and none have come close to realizing the global transformation we hoped would be around the corner.

Recently, the slogan "another end of the world is possible!" has appeared in graffiti. The return of the slogan in its negated form gives voice to a new reality: times have changed. Instead of alternatives, contemporary art, popular culture, fiction, and other media is awash in apocalypse. This class is a study of the now-popular tropes of abolition, destruction, extinction, and ruination as they intersect with media theories of time, the subject, and politics "at the end of the world."


Political Thought (MAP Core Course)

The premise for this course is: what would Herbert Marcuse teach? The first dean of Critical Studies, Maurice Stein, was an admirer of the radical philosopher of the New Left, in particular Marcuse’s “Essay on Liberation.” Together with Larry Miller, Stein had cooked up a utopian “Blueprint for Counter Education” for CalArts that combined the charged political context of the Vietnam War with the radical do-it-yourself resources of the New Left and a pedagogy of radical participation. But in attempting to hire Marcuse, Stein not only failed but was fired.

This course picks up this past-that-could-have-been. It mines the radical politics of the present for theoretical concepts that unsettle, erupt, and transgress. Four units reiterate the same three themes through different prefixes: in- (institutions, intersections, insurrections), a- (abolition, anarchism, anti-capitalism), trans- (transgender, transgression, transformation), and de- (decolonization, destitution, disappearance). Key figures include Marcuse’s famous student Angela Davis and other theorists of Black Study, Susan Stryker and other major thinkers in gender and sexuality, and topical theorizations of ongoing political uprisings.


Along the way, students will develop techniques of reading, writing, and presenting at a graduate level inspired by the experimental forms proposed for Stein’s alternative CalArts.


I also regularly convene the West Hollywood / Aesthetics and Politics (WHAP!) public speaker series, the Aesthetics & Politics Theorist in Residence, and other occasional events, which have featured Judith Butler, Rita Raley, Jasbir Puar, Jack Z. Bratich, Zach Blas, N Katherine Hayles, Nandita Biswas Mellamphy and Dan Mellamphy, Sarah Roberts and Safiya Noble, Dominic Pettman, and Elizabeth Povinelli.